Stránky o subkulturách

ALIM, H. Samy, IBRAHIM, Awad, PENNYCOOK, Alastair (eds.), Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language. New York and London, Londýn 2009.
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BAULCH, Emma, Creating a scene: Balinese punk’s beginnings, International Journal of Cultural Studies 5, 153-177, 2002.
BAULCH, Emma, The identity politics of the Balinese death/thrash metal scene, Popular Music 22, 2003, str. 195-215.
BARKER, Hugh, TAYLOR, Yuval (eds.), Faking It: The Quest for Authenticity in Popular Music, Londýn 2007.
BARRER, Peter, “My White, Blue and Red Heart”: Constructing a Slovak Identity in Rap Music, Popular Music and Society 32 (2), 2009, str. 59-75.
BENNET, Andy, Consolidating the music scenes perspective, Poetics 32, str. 223–234.
BENNETT, Andy, Hip-Hop am Main, Rappin’on the Tyne: Hip-Hop Culture as a Local Construct in Two European Cities, in: MURRAY, Forman, NEAL, Mark A. (eds.), that’s the joint!: the hip-hop studies reader, Londýn 2004, str. 177-200.
BENNETT, Andy, Subcultures or neo-tribes? Rethinking the relationship between youth, style and musical taste, Sociology 33, 1999, str. 599-617.
BENNETT, Andy, KAHN-HARRIS, Keith (eds.), After Subculture: Critical Studies in Contemporary Youth Culture, New York 2004.
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COHEN, Stanley, Folk Devils and Moral Panics: The Creation of the Mods and Rockers, Londýn 2002.
DALE, Pete, It was easy, it was cheap, so what?: reconsidering the DIY principle of punk and indie music, Popular Music History 3, 2008, str. 171-193.
DOBRATZ, Betty A., The White Separatist Movement in the United States: „White Power, White Pride!“, Baltimore 1997.
EICHSTEDT, Astrid, POLSTER, Bernd, Wie die Wilden. Tänze auf der Höhe ihrer Zeit, Berlin 1985.
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GRAZIAN, David, Opportunities for ethnography in the sociology of music, Poetics 32, 2004, str. 197–210.
FERNANDES, Sujatha, Close to the Edge: In Search of the Global Hip Hop Generation, Sydney 2011.
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GELDER, Ken (ed.), Subcultures: critical concepts in media and cultural studies. Volume 4, Sexed subjects, virtual communities, neo-tribes, Londýn 2007.
GELDER, Ken (ed.), Subcultures: critical concepts in media and cultural studies. Volume 3, Subcultures and music, Londýn 2007.
GELDER, Ken (ed.), Subcultures: critical concepts in media and cultural studies. Volume 2, Chicago, Birmingham, scenes and communities, Londýn 2007.
GELDER, Ken (ed.), Subcultures: critical concepts in media and cultural studies. Volume 1, Subcultural histories, Londýn 2007.
HAENFLER, Ross, Rethinking subcultural resistance: core values of the straight edge movement, Journal of Contemporary Ethnography 33, 2004, str. 406-436.
HALL, Stuart , JEFFERSON, Tony, Resistance Through Rituals: Youth Subcultures in Post-war Britain, Londýn 1993.
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HEBDIGE, Dick, The Meaning of Mod, in: HALL, Stuart, JEFFERSON, Tony (eds.), Resistance Through Rituals: Youth Subcultures in Post-War Britain, eds. Londýn 1993, str. 167.
HESMONDHALGH, David, Subcultures, scenes or tribes? None of the above, Journal of Youth Studies 8, 2005, str. 21-40.
HEWITT, Paolo, BAXTER, Mark, The A to Z of Mod, New York 2012.
HODKINSON, Paul, ‘Insider Research’ in the study of youth cultures, Journal of Youth Studies 8, 2005, str. 131-149.
HOWARD, Marc, M., The Weakness of Civil Society in Post-Communist Europe [online]. Cambridge 2003, http://catdir.loc.gov/catdir/samples/cam033/2002024638.pdf.
JEFFRIES, Michael P., Thug Life: Race, Gender and the Meaning of Hip-Hop, Chicago 2010.
KAHN-HARRIS, Keith, The ‘failure’ of youth culture: reflexivity, music and politics in the black metal scene, European Journal of Cultural Studies 7, 2004, str. 95- 111.
KATER, Michael H., Gewagtes Spiel. Jazz im Nationalsozialismus, Köln 1995.
KING, C. Richard, LEONARD, David, J., Beyond hate: White Power and Popular Culture, Farnham 2014.
KRIMS, Adam, Rap Music and the Poetics of Identity, Cambridge 2001.
KÜRTI, László, The Uncivility of a Civil Society: Skinhead Youth in Hungary, in: KOPECKY, Petr, Mudde, Cas (eds.), Uncivil Society?: Contentious Politics in Post-Communist Europe, Londýn 2003, str. 37 – 54.
KURZ, Jan, „Swinging Democracy“. Jugendprotest im 3. Reich, Münster 1995.
LEACH, Darcy, K., HAUNSS, Sebastian, Scenes and social movements, in: JOHNSTON, Hank (ed.), Culture, Social Movements and Protest, Farnham 2009, str. 255-276.
LINDENBERGER, Thomas, Die Diktatur der Grenzen. Zur Einleitung [online] , in: LINDENBERGER, Thomas, Herrschaft und Eigen – Sinn in der Diktatur. Studien zur Gesellschaftsgeschichte der DDR, Köln 1999. https://www.academia.edu/2779524/Die_Diktatur_der_Grenzen._Zur_Einleitung_1999_.
MAFFESOLI, Michel, The Time of the Tribes: The Decline of Individualism in Mass Society, Londýn 1996.
CARNIBELLA, Giovanni, FOX, Anne, FOX, Kate, MCCANN, Joe, MARSH, James, MARSH, Peter, Football Violence in Europe, Oxford 1996.
MARSHALL, George, Skinhead Nation, Dunoon 1996.
MARSHALL, George, Spirit Of 69: A Skinhead Bible, Donoon 1993.
MITCHELL, Tony (ed.), Global Noise: Rap and Hip Hop Outside the USA, Londýn, New York 2002.
MCKAY, George (ed.), DiY Culture: Party & Protest in Nineties Britain, Londýn 1998.
MCKAY, George, WILLIAMS, Christopher, GODDARD, Michael, FOXLEE, Neil, RAMANAUSKAITĖ, Egidija (eds.), Subcultures and New Religious Movements in Russia and East-Central Europe, Oxford 2009.
MOORE, Jack B., Skinheads: Shaved for battle: A cultural history of American skinheads, Ohio, 1993.
MOORE, Ryan, Alternative to what? subcultural capital and the commercialization of a music scene, Deviant Behavior 26, 2005, str. 229- 252.
MOORE, Ryan, Friends don´t let friends listen to corporate rock: punk as a field of cultural production, Journal of Contemporary Ethnography 36, 2005, str. 438-474.
MUDDE, Cas, Populist Radical Right Parties in Europe, Cambridge 2007.
MUGGLETON, David, Inside Subculture: The Postmodern Meaning of Style, New York 2002.
TALOS, Emmerich, HANISCH, Ernst, NEUGEBAUER, Wolfgang , SIEDER, Reinhard (ed.), NS-Herrschaft in Österreich. Ein Handbuch, Wien 2000.
ORTNER, Sherry B‚ Theory in Anthropology since the Sixties‘, Comparative Studies in Society
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PASTERNAK-MAZUR, Renata, The Black Muse: Polish Hip-Hop as the Voice of ‘New Others’ in the Post-Socialist Transition, Music and Politics 3 (1), 2009.
PATRIDGE, Christopher, Dub in Babylon: understanding the evolution and significance of dub reggae in Jamaica and Britain from King Tuby to post-punk, Londýn 2010.
PILKINGTON, Hilary, GARIFZIANOVA, Al’bina, OMEL’CHENKO, Elena, Russia’s Skinheads: Exploring and Rethinking subcultural Lives, Londýn 2007.
RAWLINGS, Terry, Mod: Clean Living Under Very Difficult Circumstances: a Very British Phenomenon, Omnibus Press, 2000. –chybí město, přebývá nakladatelství… nenašel jsem
RICHARDSON, Brendan, TURLEY, Darach, Support Your Local Team: Resistance, Subculture, and the Desire for Distinction, Advances in Consumer Reseach 33, 2006.
SCHILDT, Alex, SIEGFRIED, Detlef, Between Marx and Coca – Cola. Youth cultures in changing European societies, 1960-1980, New York 2007.
SHUKER, Roy, Understanding Popular Music, New York 2001.
SCHWARZMEIER, Jan, Die Autonomen. Zwischen Subkultur und sozialer Bewegung, Göttingen 2001.
SITOMER, Alan L., CIRELLI, Michael, Hip-hop poetry and the classics: connecting our classic curriculum to hip-hop poetry through standards-based, language arts instruction, Beverly Hills 2004.
SOYSAL, Levent, Rap, Hiphop, Kreuzberg: Scripts of/for Migrant Youth Culture in the WorldCity Berlin, New German Critique 92, 2004 str. 62-81.
STEINBERG, Marc, W., Toward a more dialogic analysis of social movement culture, in: MEYER, David, S., WHITTIER, Nancy, ROBNETT, Belinda (eds.), Social Movements: Identity, Culture and the State, Oxford, 2002 str. 208–225.
STRAW, Will, Communities and scenes in popular music, in: GELDER, Ken, THORNTON, Sarah (eds.), The Subcultures Reader, Londýn 1997, str. 494–505.
STRAW, Will, Scenes and sensibilities [online], Public 22/23, 2011 str. 245-257, http://public.journals.yorku.ca/index.php/public/article/view/30335/27864.

SZEMERE, Anna, Subcultural politics and social change Alternative music in postcommunist Hungary, Popular Music & Society 20, 1996, str. 19-41.
THORNTON, Sarah, 1997. The social logic of subcultural capital, in: GELDER, Ken, THORNTON, Sarah, (eds.), The Subcultures Reader, Londýn 1997,str. 200–209.
TRAVIS, Tirifiny A., HARDY, Perry, Skinheads: A guide to an American subculture, Santa Barbara 2012.
TERKOURAFI, Marina (ed.), The Languages of Global Hip Hop, Londýn, New York 2010.
BECKMANN, Rick, Because there is Hope, in: Vimeo.com, 2015, https://vimeo.com/121046412.
WICKE, Peter, Zwischen Förderung und Reglementierung – Rockmusik im System der DDR – Kulturbürokratie, in: WICKE Peter, MŰLLER, Lothar, Rockmusik und Politik. Analysen, Interviews und Dokumente, Berlin 1996.
WORLEY, Matthew, Oi! Oi! Oi!: Class, Locality, and British Punk [online], Twentieth Century British History 20, 213, str. 1-31, http://tcbh.oxfordjournals.org/content/early/2013/03/20/tcbh.hwt001.full.